J. Parker Valentine
She lives and works in Los Angeles

Biography
Shows
Images

J. Parker Valentine, untitled, 2019, pigmented plaster, gouache, graphite, rubber, nails and metal on board, 48 × 24 × 3 ½ inches (121.9 × 60.9 × 8.9 cm)

J. Parker Valentine, untitled, 2019, pigmented plaster, gouache, graphite, rubber, nails and metal on board, 48 × 24 × 3 ½ inches (121.9 × 60.9 × 8.9 cm)

J. Parker Valentine, untitled, 2019, gouache, watercolor, graphite, glue, and thread on Yupo, 67 × 52 inches (170.2 × 132.1 cm)

J. Parker Valentine, untitled, 2019, gouache, watercolor, graphite, glue, and thread on Yupo, 67 × 52 inches (170.2 × 132.1 cm)

J. Parker Valentine, “Skin of Paradise,” installation view, Park View/Paul Soto, Los Angeles, 2019

J. Parker Valentine, “Skin of Paradise,” installation view, Park View/Paul Soto, Los Angeles, 2019

J. Parker Valentine, “Special Interests,” installation view, KRIEG, Hasselt, Belgium, 2019

J. Parker Valentine, “Special Interests,” installation view, KRIEG, Hasselt, Belgium, 2019

J. Parker Valentine, “Special Interests,” installation view, KRIEG, Hasselt, Belgium, 2019

J. Parker Valentine, “Special Interests,” installation view, KRIEG, Hasselt, Belgium, 2019

J. Parker Valentine,  What I Saw From the Boat,  2018, milk paint, ink, watercolor, wax crayon, tar paper, metal rivets, 74 × 64 inches (187.9 × 162.6 cm)

J. Parker Valentine, What I Saw From the Boat, 2018, milk paint, ink, watercolor, wax crayon, tar paper, metal rivets, 74 × 64 inches (187.9 × 162.6 cm)

J. Parker Valentine,  What I Saw From the Boat,  2018, installation view, milk paint, ink, watercolor, wax crayon, tar paper, metal rivets, 74 × 64 inches (187.9 × 162.6 cm)

J. Parker Valentine, What I Saw From the Boat, 2018, installation view, milk paint, ink, watercolor, wax crayon, tar paper, metal rivets, 74 × 64 inches (187.9 × 162.6 cm)

J. Parker Valentine, “Transients in the High Plains,” installation view, Max Mayer, Dusseldorf, 2018

J. Parker Valentine, “Transients in the High Plains,” installation view, Max Mayer, Dusseldorf, 2018

J. Parker Valentine, “Transients in the High Plains,” installation view, Max Mayer, Dusseldorf, 2018

J. Parker Valentine, “Transients in the High Plains,” installation view, Max Mayer, Dusseldorf, 2018

J. Parker Valentine, “Full of Holes,” Juan and Patricia Vergez Collection, Buenos Aires, 2017

J. Parker Valentine, “Full of Holes,” Juan and Patricia Vergez Collection, Buenos Aires, 2017

J. Parker Valentine, “Full of Holes,” installation view, Juan and Patricia Vergez Collection, Buenos Aires, 2017

J. Parker Valentine, “Full of Holes,” installation view, Juan and Patricia Vergez Collection, Buenos Aires, 2017

J. Parker Valentine, untitled, 2016, graphite and perilla oil on colored MDF, 55 ⅜ × 39 ¼ inches (140.6 × 99.7 cm)

J. Parker Valentine, untitled, 2016, graphite and perilla oil on colored MDF, 55 ⅜ × 39 ¼ inches (140.6 × 99.7 cm)

J. Parker Valentine, “Like Jungle music in the Dead of Night,” installation view, Park View, Los Angeles, 2016

J. Parker Valentine, “Like Jungle music in the Dead of Night,” installation view, Park View, Los Angeles, 2016

J. Parker Valentine, untitled, 2016, graphite and milk paint on colored MDF; two parts, one part: 44 ¼ × 39 ¾ inches (112.4 × 100.9 cm), second part: 49 ¼ × 44 inches (125.1 × 111.8 cm)

J. Parker Valentine, untitled, 2016, graphite and milk paint on colored MDF; two parts, one part: 44 ¼ × 39 ¾ inches (112.4 × 100.9 cm), second part: 49 ¼ × 44 inches (125.1 × 111.8 cm)

J. Parker Valentine, untitled, 2014, digital print and photo retouching ink, 22 x 16.5 inches (56 x 42 cm)

J. Parker Valentine, untitled, 2014, digital print and photo retouching ink, 22 x 16.5 inches (56 x 42 cm)

J. Parker Valentine, “Topo,” installation view, Langen Foundation, Dusseldorf, 2014

J. Parker Valentine, “Topo,” installation view, Langen Foundation, Dusseldorf, 2014