Victoria Colmegna
born in 1986
She lives and works in Buenos Aires

Biography
Shows
Images

Victoria Colmegna,  Double blade semester, will Gustave Courbet learn his last lesson? Deep cuts may hurt but a girl's wound is sharper than a sword.,  commissioned oil pastel on velvet by James Mathewuse, aluminum, tempered glass, lock, keys, 26 × 25.2 × 4.3 inches (66 × 64 × 10.9 cm)

Victoria Colmegna, Double blade semester, will Gustave Courbet learn his last lesson? Deep cuts may hurt but a girl's wound is sharper than a sword., commissioned oil pastel on velvet by James Mathewuse, aluminum, tempered glass, lock, keys, 26 × 25.2 × 4.3 inches (66 × 64 × 10.9 cm)

Victoria Colmegna, “An Order Of Things,” installation view, Galerie Gregor Staiger, Zürich, 2019

Victoria Colmegna, “An Order Of Things,” installation view, Galerie Gregor Staiger, Zürich, 2019

Victoria Colmegna,  Estado Real I , 2018, oil lacquer and glitter on ceramic tile mounted on board in artist frame, 40 ⅛ × 21 ⅝ × 1 ⅛ inches (102 × 55 × 3 cm)

Victoria Colmegna, Estado Real I, 2018, oil lacquer and glitter on ceramic tile mounted on board in artist frame, 40 ⅛ × 21 ⅝ × 1 ⅛ inches (102 × 55 × 3 cm)

Victoria Colmegna,  Estado Real II , 2018, oil lacquer and glitter on ceramic tile mounted on board in artist frame, 40 ⅛ × 21 ⅝ × 1 ⅛ inches (102 × 55 × 3 cm)

Victoria Colmegna, Estado Real II, 2018, oil lacquer and glitter on ceramic tile mounted on board in artist frame, 40 ⅛ × 21 ⅝ × 1 ⅛ inches (102 × 55 × 3 cm)

Victoria Colmegna, “Estado Real,” with Park View/Paul Soto, LISTE, Basel, 2018

Victoria Colmegna, “Estado Real,” with Park View/Paul Soto, LISTE, Basel, 2018

Victoria Colmegna,  Estado Real VII , 2018, oil, acrylic, and glitter on wood, steel, and powder coated steel, 29 ½ × 17 ¾ × 17 ¾ inches (75 × 45 × 45 cm)

Victoria Colmegna, Estado Real VII, 2018, oil, acrylic, and glitter on wood, steel, and powder coated steel, 29 ½ × 17 ¾ × 17 ¾ inches (75 × 45 × 45 cm)

Victoria Colmegna,  Estado Real V , 2018, oil, acrylic, and glitter on wood, steel, and powder coated steel, 29 ½ × 17 ¾ × 17 ¾ inches (75 × 45 × 45 cm)

Victoria Colmegna, Estado Real V, 2018, oil, acrylic, and glitter on wood, steel, and powder coated steel, 29 ½ × 17 ¾ × 17 ¾ inches (75 × 45 × 45 cm)

Victoria Colmegna,  Broken Ego; #27. Team Work: Can the twins prove they are not babies anymore?; #52. White Lies: Will Bonny despise Reece when she finds out the truth?; #22. Out of place: Is there room in Sweet Valley for an outsider?; #8. First Place: Will Sarah risk everything for a horse?; #94. Super Chiller, The Carnival Ghost: Will Alex make it out alive?  , 2017, aluminum, galvanized steel, tempered glass, lock, keys; pastel on velvet; graphite, pen, and marker on paper; book jacket, 29 ½ × 40 ½ × 2 inches (74.9 × 102.9 × 5.1 cm)

Victoria Colmegna, Broken Ego; #27. Team Work: Can the twins prove they are not babies anymore?; #52. White Lies: Will Bonny despise Reece when she finds out the truth?; #22. Out of place: Is there room in Sweet Valley for an outsider?; #8. First Place: Will Sarah risk everything for a horse?; #94. Super Chiller, The Carnival Ghost: Will Alex make it out alive? , 2017, aluminum, galvanized steel, tempered glass, lock, keys; pastel on velvet; graphite, pen, and marker on paper; book jacket, 29 ½ × 40 ½ × 2 inches (74.9 × 102.9 × 5.1 cm)

Victoria Colmegna,  Imaginary Champagne Order; #93. The Incredible Madame Aline: Ali thinks she can read read fortunes and tell the future...with bad results?; #90. The Cousin War: Guess who's dating Robbie's dream guy?; #43. Hard Choices: Will Elif's life ever be the same? , 2017, aluminum, galvanized steel, tempered glass, lock, keys; pastel on velvet; graphite and marker on paper; archival photograph, 29 ½ × 40 ½ × 2 inches (74.9 × 102.9 × 5.1 cm)

Victoria Colmegna, Imaginary Champagne Order; #93. The Incredible Madame Aline: Ali thinks she can read read fortunes and tell the future...with bad results?; #90. The Cousin War: Guess who's dating Robbie's dream guy?; #43. Hard Choices: Will Elif's life ever be the same?, 2017, aluminum, galvanized steel, tempered glass, lock, keys; pastel on velvet; graphite and marker on paper; archival photograph, 29 ½ × 40 ½ × 2 inches (74.9 × 102.9 × 5.1 cm)

Victoria Colmegna, “Broken Ego,” installation view, Park View, Los Angeles, 2017

Victoria Colmegna, “Broken Ego,” installation view, Park View, Los Angeles, 2017

Victoria Colmegna,  3D scan and photoshoot of Judas Iscariot for the occasion of the exhibition 'Broken Ego' of Victoria Colmegna at Park View/Paul Soto in Los Angeles, October 2017,  2017, postcard, unlimited edition, 5 × 7 inches (12.70 × 17.78 cm)

Victoria Colmegna, 3D scan and photoshoot of Judas Iscariot for the occasion of the exhibition 'Broken Ego' of Victoria Colmegna at Park View/Paul Soto in Los Angeles, October 2017, 2017, postcard, unlimited edition, 5 × 7 inches (12.70 × 17.78 cm)

Victoria Colmegna,  3D scan and photoshoot of Judas Iscariot for the occasion of the exhibition 'Broken Ego' of Victoria Colmegna at Park View/Paul Soto in Los Angeles, October 2017,  2017, postcard, unlimited edition, 5 × 7 inches (12.70 × 17.78 cm)

Victoria Colmegna, 3D scan and photoshoot of Judas Iscariot for the occasion of the exhibition 'Broken Ego' of Victoria Colmegna at Park View/Paul Soto in Los Angeles, October 2017, 2017, postcard, unlimited edition, 5 × 7 inches (12.70 × 17.78 cm)